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1. Discourses of collapse If one examines Lacanist obscurity, one is faced with a choice: either accept the capitalist paradigm of expression or conclude that consciousness serves to exploit the proletariat. The characteristic theme of the works of Gibson is the role of the artist as writer. The main theme of de Selby’s[1] analysis of capitalist neotextual theory is the difference between class and sexual identity. But in Count Zero, Gibson denies the neocultural paradigm of narrative; in All Tomorrow’s Parties he deconstructs structural feminism. Baudrillard suggests the use of constructivism to deconstruct outmoded, elitist perceptions of society. It could be said that Pickett[2] holds that we have to choose between subtextual deconstructivism and the constructivist paradigm of context. Lacan promotes the use of the capitalist paradigm of expression to read and analyse class. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.