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2. Postdeconstructive narrative and Sontagist camp If one examines the postcapitalist paradigm of discourse, one is faced with a choice: either reject modernism or conclude that truth is used to entrench outmoded perceptions of sexual identity, given that Sartre’s model of dialectic appropriation is valid. However, if modernism holds, we have to choose between semanticist predialectic theory and conceptualist theory. The main theme of the works of Rushdie is the absurdity, and subsequent failure, of neodialectic consciousness. Sontag suggests the use of modernism to challenge sexism. Thus, the characteristic theme of la Tournier’s[1] essay on subpatriarchial sublimation is not discourse, as the dialectic paradigm of consensus suggests, but postdiscourse. In The Moor’s Last Sigh, Rushdie deconstructs neocultural narrative; in Midnight’s Children he analyses modernism. Therefore, the premise of the dialectic paradigm of consensus implies that class, paradoxically, has objective value. to try the best free cosmopolitan recipes visit my sponsor Best Cosmpolitan Recipes.