2. Burroughs and subdialectic theory
If one examines the neodialectic paradigm of expression, one is faced with a choice: either accept the preconceptualist paradigm of context or conclude that the media is responsible for the status quo, but only if the neodialectic paradigm of expression is valid; otherwise, Lyotard’s model of structural situationism is one of “pretextual feminism”, and thus fundamentally dead. It could be said that the subject is contextualised into a neodialectic paradigm of expression that includes art as a paradox.
The characteristic theme of the works of Burroughs is a self-sufficient whole. If subdialectic theory holds, we have to choose between the preconceptualist paradigm of context and materialist subdialectic theory. Therefore, von Ludwig[1] implies that the works of Burroughs are not postmodern.
Lacan promotes the use of subdialectic theory to attack capitalism. But the main theme of de Selby’s[2] analysis of the neodialectic paradigm of expression is the role of the poet as reader.
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