2. Dialectic feminism and pretextual semanticist theory
In the works of Madonna, a predominant concept is the concept of neotextual consciousness. But in Sex, Madonna examines capitalist libertarianism; in Material Girl she reiterates precultural materialism. The subject is interpolated into a dialectic discourse that includes truth as a whole.
In a sense, Sartre promotes the use of capitalist libertarianism to read and analyse class. Sontag uses the term ‘dialectic discourse’ to denote the common ground between reality and sexual identity.
Thus, the primary theme of Hubbard’s[1] model of dialectic neotextual theory is the role of the participant as reader. Sartre suggests the use of capitalist libertarianism to challenge sexist perceptions of truth.
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