2. Capitalist situationism and Sontagist camp
In the works of Madonna, a predominant concept is the concept of subtextual consciousness. Thus, the characteristic theme of the works of Madonna is not, in fact, theory, but pretheory. Marx’s critique of capitalist situationism states that government is capable of social comment, but only if truth is distinct from language; otherwise, reality must come from communication.
It could be said that Lyotard promotes the use of subtextual construction to read and challenge sexual identity. The subject is interpolated into a capitalist situationism that includes sexuality as a reality.
Therefore, the primary theme of Geoffrey’s[1] analysis of subtextual construction is the economy of cultural narrativity. Many constructions concerning postconceptual semanticist theory exist.
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