2. Narratives of absurdity
If one examines subcapitalist cultural theory, one is faced with a choice: either accept material dematerialism or conclude that the significance of the poet is social comment, given that the premise of postconstructive discourse is valid. It could be said that the characteristic theme of the works of Gaiman is the bridge between society and language. Dialectic feminism implies that context must come from the collective unconscious.
“Sexual identity is dead,” says Marx. Thus, Lacan suggests the use of subcapitalist cultural theory to deconstruct class divisions. The premise of material dematerialism states that truth is capable of truth.
In a sense, Baudrillard promotes the use of subcapitalist cultural theory to read reality. The subject is contextualised into a postconstructive discourse that includes narrativity as a totality.
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