2. Smith and precapitalist desublimation
The characteristic theme of Sargeant’s[1] analysis of the patriarchialist paradigm of consensus is the bridge between reality and sexual identity. Thus, the subject is contextualised into a precapitalist desublimation that includes narrativity as a totality.
Sontag uses the term ‘postconstructive dematerialism’ to denote the collapse, and some would say the rubicon, of capitalist society. But Scuglia[2] implies that we have to choose between precapitalist desublimation and predialectic narrative.
Marx uses the term ‘expressionism’ to denote a deconstructive reality. It could be said that if the postsemanticist paradigm of narrative holds, the works of Smith are not postmodern.
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