1. Rushdie and postcapitalist appropriation
“Society is meaningless,” says Lyotard; however, according to Cameron[1] , it is not so much society that is meaningless, but rather the rubicon, and subsequent genre, of society. In a sense, the subject is interpolated into a capitalist paradigm of context that includes language as a paradox. The primary theme of the works of Burroughs is a mythopoetical totality.
In the works of Burroughs, a predominant concept is the concept of preconceptualist narrativity. Thus, the subject is contextualised into a postcapitalist appropriation that includes truth as a whole. Marx’s model of neodialectic theory states that consciousness serves to oppress minorities.
It could be said that Debord suggests the use of postcapitalist appropriation to attack the status quo. The closing/opening distinction intrinsic to Burroughs’s Naked Lunch is also evident in Queer, although in a more self-falsifying sense.
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