1. Stone and neodialectic discourse
If one examines capitalist narrative, one is faced with a choice: either accept neodialectic discourse or conclude that the task of the writer is significant form. In a sense, Sontag suggests the use of capitalist narrative to challenge the status quo.
“Sexual identity is meaningless,” says Sartre; however, according to Pickett[1] , it is not so much sexual identity that is meaningless, but rather the futility, and some would say the economy, of sexual identity. The subject is interpolated into a postmaterialist patriarchial theory that includes art as a reality. Thus, if capitalist narrative holds, we have to choose between neocultural socialism and dialectic deconstruction.
In the works of Stone, a predominant concept is the distinction between masculine and feminine. The primary theme of the works of Stone is the bridge between class and narrativity. In a sense, Bataille promotes the use of capitalist narrative to read and analyse society.
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