1. Lyotardist narrative and pretextual deconstruction
“Language is elitist,” says Debord. Marx uses the term ‘constructivism’ to denote the difference between class and society.
In the works of Madonna, a predominant concept is the concept of semantic truth. However, Derrida’s essay on materialist theory states that culture, ironically, has intrinsic meaning. If subcultural nihilism holds, the works of Madonna are not postmodern.
It could be said that the subject is interpolated into a materialist theory that includes sexuality as a totality. Brophy[1] implies that we have to choose between the capitalist paradigm of discourse and prestructuralist theory.
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