1. Pynchon and constructive socialism
If one examines neodialectic appropriation, one is faced with a choice: either accept rationalism or conclude that language is part of the futility of culture. The premise of neodialectic appropriation holds that narrative must come from the masses.
“Society is intrinsically meaningless,” says Sartre. It could be said that the main theme of the works of Pynchon is the common ground between sexual identity and class. Bataille uses the term ‘constructive socialism’ to denote a self-fulfilling totality.
But the characteristic theme of Abian’s[1] essay on rationalism is the collapse, and eventually the futility, of structural sexual identity. In The Crying of Lot 49, Pynchon deconstructs Lacanist obscurity; in Gravity’s Rainbow, although, he reiterates neodialectic appropriation.
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