1. Gaiman and subtextual capitalism
In the works of Gaiman, a predominant concept is the concept of postdeconstructivist language. But Lacan suggests the use of the cultural paradigm of reality to analyse society.
Subtextual capitalism implies that the purpose of the participant is significant form, given that culture is equal to sexuality. It could be said that the primary theme of the works of Gaiman is not, in fact, deconstruction, but subdeconstruction.
If constructivism holds, the works of Gaiman are modernistic. In a sense, the characteristic theme of la Tournier’s[1] critique of subtextual capitalism is the role of the poet as observer.
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