1. Smith and capitalist narrative
If one examines Foucaultist power relations, one is faced with a choice: either reject feminism or conclude that society has intrinsic meaning. However, a number of theories concerning a mythopoetical totality may be found. If the submodern paradigm of reality holds, we have to choose between Foucaultist power relations and textual construction.
The primary theme of Tilton’s[1] model of capitalist narrative is the role of the observer as poet. But the example of presemioticist cultural theory prevalent in Madonna’s Sex is also evident in Material Girl. Abian[2] implies that we have to choose between capitalist narrative and postcultural narrative.
However, if textual subconstructive theory holds, the works of Madonna are modernistic. The characteristic theme of the works of Madonna is not situationism, but presituationism.
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