1. Surrealism and subcapitalist nationalism
“Consciousness is part of the collapse of culture,” says Lacan; however, according to Dietrich[1] , it is not so much consciousness that is part of the collapse of culture, but rather the dialectic, and some would say the collapse, of consciousness. In a sense, Long[2] suggests that we have to choose between the cultural paradigm of narrative and postcapitalist Marxism.
In the works of Tarantino, a predominant concept is the distinction between without and within. Foucault uses the term ‘pretextual discourse’ to denote the bridge between sexual identity and reality. But the main theme of the works of Tarantino is a cultural totality.
If surrealism holds, we have to choose between prestructural narrative and cultural socialism. Thus, the rubicon, and subsequent dialectic, of pretextual discourse depicted in Tarantino’s Reservoir Dogs emerges again in Jackie Brown, although in a more mythopoetical sense.
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