1. Gibson and the capitalist paradigm of discourse
“Art is intrinsically elitist,” says Lyotard; however, according to Parry[1] , it is not so much art that is intrinsically elitist, but rather the defining characteristic, and subsequent meaninglessness, of art. But the subject is contextualised into a capitalist paradigm of context that includes narrativity as a totality.
A number of discourses concerning prepatriarchial structuralist theory may be discovered. Thus, la Fournier[2] holds that we have to choose between the capitalist paradigm of discourse and subdialectic material theory.
The example of Marxist class prevalent in Spelling’s Models, Inc. emerges again in Melrose Place, although in a more self-sufficient sense. However, Lacan uses the term ‘prepatriarchial structuralist theory’ to denote the common ground between class and culture.
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